Showing posts with label van morrison. Show all posts
Showing posts with label van morrison. Show all posts

Friday, November 20, 2009

Michael Ondaatje: Salad Days


When I met Michael Ondaatje in Vancouver during his speaking tour supporting Handwriting I got his handwriting...his autograph! I was cheeky - I brought along Van Morrison's Astral Weeks for him to sign. He hesitated, looked at me like I was a punk, then smiled and scribbled his name just above "Madame George." If you're familiar with his work you'll know Van has popped up in his writing throughout the years.

I'm currently reading In The Skin of a Lion and while great, parts do feel twenty years old. The postmodern ellipses seem contrived and not as startling as I remember them being at the time. I prefer his poetry, or the "poetic prose" of The Collected Works of Billy The Kid and Coming Through Slaughter. Here's a couple from his early days:

The Cinnamon Peeler

If I were a cinnamon peeler
I would ride your bed
And leave the yellow bark dust
On your pillow.

Your breasts and shoulders would reek
You could never walk through markets
without the profession of my fingers
floating over you. The blind would
stumble certain of whom they approached
though you might bathe
under rain gutters, monsoon.

Here on the upper thigh
at this smooth pasture
neighbour to you hair
or the crease
that cuts your back. This ankle.
You will be known among strangers
as the cinnamon peeler's wife.

I could hardly glance at you
before marriage
never touch you
--your keen nosed mother, your rough brothers.
I buried my hands
in saffron, disguised them
over smoking tar,
helped the honey gatherers...

When we swam once
I touched you in the water
and our bodies remained free,
you could hold me and be blind of smell.
you climbed the bank and said

this is how you touch other women
the grass cutter's wife, the lime burner's daughter.
And you searched your arms
for the missing perfume

and knew

what good is it
to be the lime burner's daughter
left with no trace
as if not spoken to in the act of love
as if wounded without the pleasure of a scar.

You touched
your belly to my hands
in the dry air and said
I am the cinnamon
Peeler's wife. Smell me.



Notes for the Legend of Salad Woman

Since my wife was born
she must have eaten
the equivalent of two-thirds
of the original garden of Eden.
Not the dripping lush fruit
or the meat in the ribs of animals
but the green salad gardens of that place.
The whole arena of green
would have been eradicated
as if the right filter had been removed
leaving only the skeleton of coarse brightness.

All green ends up eventually
churning in her left cheek.
Her mouth is a laundromat of spinning drowning herbs.
She is never in fields
but is sucking the pith out of grass.
I have noticed the very leaves from flower decorations
grow sparse in their week long performance in our house.
The garden is a dust bowl.

On our last day in Eden as we walked out
she nibbled the leaves at her breasts and crotch.
But there's none to touch
none to equal
the Chlorophyll Kiss

Saturday, September 19, 2009

Dancing With Furniture: Musical Raves & Other Contortions

"Writing about music is like dancing about architecture - it's a really stupid thing to want to do." – Elvis Costello
I have to agree with Elvis: music, like sex, is always better done than said. And dancing about architecture is a really stupid thing to want to do - dancing with furniture is way more sensible. In those moments when you’re left alone with nothing but an air-guitar, stupid things can start to look pretty interesting...even fun. Sometimes the only option is to indulge, get down and do the mother popcorn with the livingroom chair.



So, with the intention of having some fun I'm going to write about a few albums that have caused me to get up and dance like a fool with the furniture in my room...albums that have yanked the "gabba, gabba, hey" from my guts and rocked my world.

First up, Astral Weeks by Van Morrison (1968), an album that evokes the joy of a sunny day by the water- intense, breezy and alive with possibilities.


From the far side of the ocean
If I put the wheels in motion
Like a Celtic Sufi in the throes of a whirling trance, Van channels the spirits of Solomon Burke and Chester "Howlin' Wolf' Burnett on this, his first complete studio album. The jazz-inflected percussion of "The Way Young Lovers Do", and the fluttering, hummingbird strum of "Sweet Thing" combine to create the perfect fusion of pop, jazz, folk and soul. Nothing before or since has sounded quite like it and amid all the music something intrinsically Irish emerges:
We strolled through fields all wet with rain
And back along the lane again
A friend and I followed the sound to Ireland, busking from Belfast to Cork. In Sligo we got billed as "The Men Who Drank Canada Dry". Very soon after we became "The Men Who Ireland Sucked Dry".

Next up, Survival by Bob Marley and the Wailers (1979). This is the culmination and most consistent articulation of Natty Dread's career. Marley fuses the smooth soul of Curtis Mayfield to Haile Selassie's vision of racial harmony and delivers a sonic proclamation about liberation and independence.

Tracks like "Africa Unite", "One Drop" and "Zimbabwe" were said to inspire the birth of a nation and Marley did play at the Zimbabwe's Independence Day Celebrations in April of 1980, the last time the British Flag flew over Africa:
Africans a-liberate Zimbabwe
Every man gotta right to decide his own destiny
Holding it all together as always, is bassist Aston "Family Man" Barrett's ganja-rasta-riddim making this one of the greatest reggae albums ever produced.