Showing posts with label India. Show all posts
Showing posts with label India. Show all posts

Wednesday, April 04, 2012

Veena Das: The Region Of Rumour


Veena Das is a Professor of Anthropology at John Hopkins University and her 2007 book, Life and Words: Violence and the Descent into the Ordinary, is a profound meditation on the question of why humans subject one another to senseless atrocities. In the chapter titled "In the Region of Rumour," Das attempts to make sense of the Sikh Massacre that followed the assassination of India’s Prime Minster Indira Gandhi on October 31, 1984. As Das writes, “Unlike objects around which we can draw boundaries, it is not easy to say when an event begins and when it ends, or for that matter how events in one space-time configuration mime events in another.” This leads her to think of "the social in terms of unfinished stories.”

Das suggests that “panic rumours” perverted "the experience of violence here and now" into a reversal where the aggressors became the victims. Images torn from the anchors of the everyday seeped into the understandings of people, forming an unconscious grammar that produced the grievous events. According to Das, these horrific occurrences could only have grown out of the soil of ordinary life.

(Sikhs @ Camp Shahdara, Delhi, 1984)
These "panic rumours" are conceived to spread. Rather than a medium of communication, language becomes infectious, causing things to happen as if in nature. Rumours combined to create the sense of Hindus as vulnerable and they vacated the Sikh of human subjectivity, replacing it with a demonic madness not worthy of a face. In the memorable phrase of Jacques Lacan, the "other" was transformed into a "fantasmagoria of shadows, of fleeting, improvised men."

(Rosangela Renno, Experiencing Cinema, 2004)
Das's conclusions include:

- an event grows out of everyday life, but the world as everyday is obliterated;
- fear of the other is transformed into the other as fearsome;
- unfinished past events mold the present in new, unexpected ways;
- the perlocutionary force of rumour shows how fragile our social worlds are;
- the virtual is always more encompassing than the actual.

Saturday, March 06, 2010

Like A Rolling Stone: India



This is a collage video I made with images from our recent trip to India - Dehli, Agra, Mumbai & Goa. Yuko, as usual, took all of them - except for the ones of her that I snapped. I chose Dylan's "Like A Rolling Stone" because spiritually, it has always connected me to a larger sense of being - the wisdom of knowing all is transitory, ephemeral - and the jubilation of beholding true liberation, that feeling of having "no secrets to conceal."


For as long as I can remember, it has captured my rapture.

Tuesday, January 12, 2010

Banana Leaves & Chutney: Mumbai's Parsis



The feeling was immediate - it was in the air, in the laid back nonchalance of the people. We were no longer in New Dehli. This was Mumbai, the financial and cultural hub for 14 million clinging to the shores of western India on the edge of the Arabian Sea.

Mumbai is home to two-thirds of India's 61,000 Parsi, a relatively tiny minority of India's almost 1 billion population, but they're hugely influential and have traditionally flourished. Queen's Freddie Mercury came from a Parsi family and the Indian version of the Rockefellers, the Tata family, are Parsis. Today their influence is found all over the country from cars and trucks to hotels and tea.



The Parsis (Gujarati for Persian) originally came to the sub-continent over 1000 years ago, arriving from Persia, now Iran. They follow Zoroastrianism, the ancient religion of Persia, and have been able to freely practice it in India. The center of Zoroastrianism is in Iran, but its adherents face discrimination and are discouraged from any open displays of worship. Nevertheless, most Indian Parsi long for a chance to visit Iran.



We read that Parsi food is delicious and were directed to "Jimmy Boy" restaurant in the Fort area of Mumbia. A seventy-year-old institution, Jimmy Boy is now run by the grandson of the original owner who explained his plans to return to Iran later this year. We ordered cashew vegetables and patra ni machhi or white fish baked in chutney and banana leaves.

Monday, January 04, 2010

Ganesh: Lord Of The Threshold



It's a new year and a time to give praise to the lord of new beginnings - Ganesh, the Hindu elephant-headed god. While Yuko & I were in India I realized that I was a sucker for this type of techno-coloured, Disneyesque religious art. It's beyond kitsch or irony - I really like it, especially if it's done by Idra Sharma.


Hanuman, symbol of loyalty

Yuko bought me this beautiful book filled with Sharma's art and the stories of the Hindu gods and goddesses:



Sharma cut his teeth making Bollywood film posters and then calendars where he refined his style. He quit painting in 1995 and now lives in Bombay (Mumbai) with his son. It's an exciting, and in many ways a beautiful city, a swirling mass of humanity from all walks of life gorging itself on delicious food, basking in breezes from the Arabian sea while living in either opulent apartment complexes or dirt poor slums.



Krishna revealing his universal form
This is what the record company was aiming for on Jimi Hendrix's Axis: Bold As Love, but apparently he wasn't too happy with it. He wanted the cover to represent his American Indian heritage...whoops!